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Reflections…Week Thirty Nine

canstockphoto8630797This is a reflection of remembrance.

I found out on Thursday that a person whom I shared time with at art class passed away last week.

I did not know him well  but he, and his artistic style, will be remembered for some time.

He had earned himself the nickname of grumpy Pete, but I think it was, once you got to know him better, a tool for his own entertainment. Many a time I saw that whilst he was grumping away, he was also suppressing a smile, I have never seen a truly grumpy person do that.  And after he had said what he wanted to say, he would inevitably look around the room for takers. If none took a bite he would then direct the grump towards an individual. You could even say it was his way to start a conversation.

His artistic style was nearly polar opposite to mine, and in one conversation he also had an effect in the way I tried to approach my work. His painting were splodge’s, dabs, an almost haphazard placement of paint on canvas, layers upon layers of paint. I do not recall ever seeing a smooth painting of his. Nor did I ever see him worrying about blending colours on the canvas to create tone or shadow. Shadows themselves were created by the texture of the pain put onto canvas. Light, and the different angles of it, had a direct effect on his work. This meant that at different times of the day the same picture could have a slightly different look about it, just from the shadows cast.

His passing was of a surprise, he was of about the same age as me, however he suffered from epilepsy and it was one of these fits that ultimately put him in a coma to which he was never to wake from.

The words that he said that altered my perspective on my art could also be applied to life as well. I may not have them as a direct quote but I will do my best.

Here’s to you Pete

You know, people often think that creating art is all about drawing the outline. That they have to draw it as one line. But I found that if you draw lot of little lines, and not worry about where you put them so much, the outline just appears.”

 

www.awanderthroughthemind.co.uk/reflections-2017

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Reflections…Week Nineteen

canstockphoto8630797As usual my brothers birthday is fast approaching and until today I have had no idea of what to get him, to be honest it usually applies to all birthdays, or I have an idea but the cost is too high. If it works it will be a hit I am sure, if not he will have the cop-out cash in card.

I have been sitting on a colouring in picture for Leo, my son, for over a week now and it was in showing it to him this afternoon the idea came to me. The picture is on glossy paper and I needed to take a photo of it to print it out onto normal paper for him, if he wanted to do it.

The picture – two carp in simple Chinese style.

It was being pushed as a kiddies colour in picture but I recon it would easily pass as an adult one. A bit of jiggling around and drawing the fish myself, the 914 x 356mm (or 36 x 14inch) canvas I have in the wardrobe would be the perfect size to be able to set the fish off and not crowd the detail of the scales. As I sit writing this the fish has been 2/3rds completed. I am chuffed too bits that the drawing has gone so smoothly, I have tried to do fish before but they always look terrible, even the outline looks oddly shaped normally, but this one looks good.

This weeks reflection is early and it is short, but I need to get back to this drawing now the little fella has gone to bed, and before my meds kick in and skew anything I draw away from what it is I am trying to do.

As it is a new project, it will be broken down as photos for each stage and placed onto my website at a date post birthday.

www.awanderthroughthemind.co.uk/reflections-2017

This Chapter Ends

canstockphoto8630797Today was a sad day, after what was a monumental effort to even leave the house, I arrived at art therapy and received the news that due to lack of funds the Teacher/Therapist was being made redundant in two weeks time, voluntary, well that’s if you call not enough hours to live on if you don’t, voluntary. It is the right thing for Zoe to do and we all support her decision. Such is the common occurrence of redundancy nowadays it is almost viewed as a job change, unplanned. But this one has been viewed differently by the service users, much to the credit of Zoe herself.

My own story started two and a half years ago at a suggestion by my then mental health coordinator, a gateway as it were to get me involved with a community. I originally chose the art group with the idea it would be quiet and private, never suspecting the group would end up being such a big part of my recovery and wellbeing.

The welcome was warm but the room was something to be desired, Brighter Futures who runs the groups have bought two former pubs and converted them, the art group had drawn the short straw  at the Observatory and had been allocated the cellar. Steep wonky stairs made there way down to the musty smelling room, the light source coming from the florescent tubes running the length of the centre. Art was stacked up along one table at the edge of the room with finished pieces adorning the walls in places. The standard was high, I feared my own attempts would fall far short of what appeared to be expected.

To my surprise there was no expectation placed upon myself or my work except for my own, and the group was anything but quiet, Headphones became an essential piece of kit. Josie is the voice of the group, generally the first to greet any visitors  and explain what goes on in the absence of Zoe, with Josie, Dibs, quiet for the most part but missed when not present. For six months I went every Tuesday,  speaking when spoken too, never having the courage to initiate a conversation, observing and learning who had similar interests until the day I was ready to begin a conversation. Jo, I suspect, nearly keeled over with shock when I spoke to her. The conversation was short and sweet, but a start. Now I can rattle away like one of the girls, even if Ange lowers the tone.

The Tuesdays changed  to Thursdays and to location number Two (the American), this room was a conservatory, bigger, brighter and no musty smell. The group of people pretty much stayed the same with the addition of Anika, Richard , Page and Tina.

I haven’t been back to the cellar since and quite frankly if I go back to the ‘Obs’ I will stay upstairs in the cafe. Many more faces have come and gone, and come again, each with their own set of problems. You see we can leave the issues being faced at the door, It’s OK to laugh, there is no judgment. Nowhere else can you talk about pink rabbits crossing the road carrying elephants without the fear of being locked up, this of course is an exaggeration, maybe; but the principle’s the same. Weird shit is normal in this art group!

There are staff on hand to help with what they can, even if that is just a chat with a cup of tea, but Zoe has managed to create such a safe place, sharing personal problems within the group IS part of the therapy. This is coming from someone who has a host of coping strategies when in public and has an increased distrust, maybe even paranoia, of peers, real or perceived. She is also there to lend a hand if struggling with the art, Non artists (in their mind) can have a picture drawn for them onto the canvas by Zoe for them to paint. It’s surprising how many Non artists can paint.

Zoe also managed to get funding for small courses, taught by herself, to encourage all who wanted. Tasters in Lino cutting, metalwork, clay and drawing to name a few. The courses where meant to be fun, informative, boundary pushing. The figure drawing course was that far outside my comfort zone it was described by myself on the ‘thought bubbles’ as “My eyes feel like they want to bleed,” emotionally I was shattered, Physically I hurt like hell. It has yet to explained how a mental problem can cause physical pain in a way I understand. I could not have felt anymore exposed if I was hung and skinned, but I trusted Zoe, so carried on, pain and all.

Zoe has had probably the biggest and the best therapeutic benefit to my mental health out of all the therapists I have seen. Genuinely caring for the members of her groups, wanting to help were she can in improving our lives. This may sound idealistic, and in some ways it maybe, but too many times the mental health service has left one feeling like the goal is to get one to accept what is broke is broke, and here are some tablets to do that. A bit like breaking a leg, being told to accept its broke and here are some pain killers to numb the senses. Some of us, after not being listened to, but medicated more for not knowing the correct terminology to explain what is happening, remain silent. Zoe gets us to talk again.

There is a good chance the group will be run by another member of staff who may be a good Therapist, or a good Artist, heck they may even be good at both, but they won’t be Zoe. Some are going to stay away in protest, showing,  in their minds, their support for Zoe. For me the art group is my social life , my anchor, letting Zoe’s work fade because some bureaucrat who has no idea the positive impact the therapy has on a range of problems would be failing her legacy. I am extremely anxious about starting afresh with someone new and if I thought that staying away would help Zoe keep her hours I would,  but realistically it will make no difference to a decision past. The only thing positive I can savage from this is… now there is a chance of Zoe the therapist becoming Zoe the friend.

 

I once heard that at the end of life we have two questions, Did I matter? Did I make a difference? Zoe does, Zoe will continue to, its what Zoe does.

Whilst the paint drys

IMG_0339The project started in good spirit, the idea was known and the desire to do my best work was high. I knew this painting was going to be my best yet. The trouble is I don’t really have control of my artistic ‘flow’ as it were, it feels more like I am channeling someone else’s. Not complaining though, every major advance in my work has come from one of these changelings, and the knowledge stays. I have an inbuilt teacher.

The canvas was started, my idea was mapped out and the central focal point positioned. The chemistry set was assembled, I call it the chemistry set but its just additives for the acrylic to make it more oil paint like, I can no longer use oil paints for health reasons. My main figures were then transferred onto the canvas and the background started. For the next four hours the dance with the paint went on, the paint wanted to dry, I wanted it to stay wet for a bit longer, spray, blend work down the canvas. Brush and paint foxtrotted all the way down to the horizon line. Then it dawned on me. Everything was wrong. All that worked in the sketch didn’t work in paint.

New canvas. Repeat the mapping out with the changes. But this time the main picture was going to be covered in masking fluid. An experiment, a technique that has been used with watercolour numerous times but never with acrylic. I painted the best painting I have ever done. The masking fluid did not work. Jagged edges and at points the paint was pulled from the canvas. A patch job could not repair.

Yet another new canvas. The flow was strong this time, I painted the best painting I have ever done by far. Putting the pictures together looks like three different artists have visited. All the last one requires is a couple of trees and the generic landscape would be complete. But I am taking a risk, the landscape picture is just the background. A small patrol of Redcoats from a reenactment is the fore, and until the paint is fully dry, even the knife work, I cannot move to the next stage of putting them in place.

My stomach is turning with the anticipation that this may work, or a new canvas awaits.